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This website & contents ©1987-2009 Olivier Burckhardt

The calligraphy on the banner, adapted from a Chinese ink rubbing,
is by Mi Fu (1051-1107), one of the great Song dynasty masters.
The two characters read fu floating & chai (zhai in pin-yin) which means studio or retreat.

The calligraphy on the banner, adapted from a Chinese ink rubbing, is by Mi Fu (1051-1107), one of the great Song dynasty masters. The two characters read fu floating & chai which means studio or retreat.
Hence: Floating Studio.

 

 Poetry

 

An ongoing web based piece

 

Pencilled Lines on Poetry: Notes from a loose-leaf pad is a blog-like series of informal jottings and reading notes that includes original material as well as translations; quotes; ideas on East-West poetry & poetics; Chinese Calligraphy; etc ...

Swift Is The Sound Of The Arrow

 

 

Originally published in: The Irish Review. 21 (1997) 120. Reprinted with slight variations: Contemporary Review. 272 (1999) 195

 

 

 

Migrant Tongue: Battos in Australia

Between emigrate and
immigrate you are a migrant
one whose tongue is not understood

 

The cycle of prose-poems ‘Migrant Tongue: Battos in Australia’ reflects on migrant experience with language/s, and weaves Classical and Aboriginal mythology with events in Australia that inaugurated the 21st Century (the detention of asylum seekers), which forms the central theme of the cycle of 7 poems. In the Homeric Hymn to Hermes (at one time attributed to Hesiod) the thieving new-born Hermes implores Battos:

not to have seen what you saw
not to have heard what you heard

 

 

 

 

from Rome River Poems

 

 

 

A selection of poems in Italian written in 1999-2000 whilst a Fellow of the Swiss Institute in Rome/Istituto Svizzero di Roma

 

 

 

Feitio Rede De Palavra

 

The prose/poem ‘Feitio Rede De Palavra’ (making nets of words) was inspired by a sojourn on the northern coast of Portugal in 1994, in the company of a copy of James Joyce’s Finnegans Wake.

 

 

 

(O-one — O-one)

 

Unpublished extract